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7:30 concert Calvary United Methodist Church 801 South 48th Street (at Baltimore Avenue) buy tickets here
Soloists: NAOMI SATO - Sho (mouth-organ) NAOKO KIKUCHI - Koto RALPH SAMUELSON - Shakuhachi (end-blown flute) KAORU WATANABE - Nohkan (transverse flute)
Had a great trip up north. Here is a youtube of what the project was about. http://www.youtube.com/user/pgpercussion#p/a/u/1/y7XNDtZCASQ It's always a pleasure working with my good friends Patrick Graham, Tomomi Morimoto and Ben Grossman and this time was no different. We had many magical moments on stage together and the audiences reacted very warmly to what we did. Our final performance was in Ottawa in a space run by a man Johannes Welsh who has one of the most impressive display of gongs I've seen. When we performed in front of these drums, they would resonate sympathetically with what we were doing, augmenting what we were doing with an almost un-discernible rumbling.
As a musical trio, Patrick, Ben and I took what we had developed two years ago and really took it in in different directions as our familiarity with each other grew. We also added a new piece to the program, a recent composition of mine called Together Alone. This piece was originally written for my wife, Mari, inspired by the idea that although my performing and teaching life takes me away from her for stretches of time, we are ultimate together not alone. To me, the piece has been given meaning due to the recent tragedy in Japan that has left many people very alone. I hope that somehow, the message of this piece resonates- in that none of us are really alone. Yes, I know this sounds very corny and sappy and mumbo jumbo-ey but forgive me this one time.
Ottawa, April 9th
April 5, 7, 8 ,9
Tues March 29 Slippery Rock University 1 Morrow Way, Slippery Rock, PA 16057 Auditorium at Advanced Tech/Science Hall (ATS building) 7:30-8:30 pm
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Wed March 30 Geneva College 3200 College Avenue, Beaver Falls, PA 15010
Reed Student Union 12-12:45 pm
Student Center – The Brigadoon 8-9 pm
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Thurs March 31 Allegheny College Montgomery Auditorium 520 N Main Street Meadville, PA 16335 7:30 pm
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Fri April 1 Westmoreland Community College 145 Pavilion Lane, Youngwood, PA 15697 Student Center Amphitheater 7 pm
Last night (tuesday March 22nd), many of my students and musician friends gathered at the music venue Zebulon in Williamsburg for a small fundraising taiko jam. In a little over an hour, we managed to raise $1,876 from the small audience that was gathered there. I had earlier stated that I was going to try and raise $1000 but to be perfectly honest wasn't expecting to reach even that. I am very moved and humbled by the outpouring of compassion and by the great feeling that all of the performers put into the music. While I realize that the money may not make a huge difference considering the enormity of the suffering and devastation, I think that we found success at taking some of the feelings of hopelessness and despondency (that I personally had been feeling) and transforming it into a positive energy that can contribute to the rebuilding and healing process. Thank you to those who performed: Belinda Becker, Sheila Anozier, Kae Reed, Shogo Samata, Nobuko Miyazaki, Malika Duckworth, Barbara Merjan, Chikako Iwahori, Kelly Kuwabara, Yumiko Higaki, Ariel Shearman, Mari Nakano, a few special members of the audience including the great Hassan Hakmoun who jumped in for the final jam.
A special thanks to Marc Urselli, Yuka Yamamoto, Mark Hutmacher and Kelly for helping out, and to Joce, Jeff and the staff at Zebulon as well as the other three musicians who followed us who contributed all their money to the effort as well.
Hello friends, I have decided to turn this gig at Zebulon in Brooklyn on March 22nd (a week from today) into a fundraising event for disaster relief in Japan. I plan on donating all money to a fund set up by Japan Society. A friend Oda Yosuke from Kodo was supposed to join us, but unfortunately his flight out of Japan was cancelled.
I'm asking musicians and friends to join me for some improvisations and also to help get the word out. I'm also trying to think of other ways to raise money instead of simply passing a basket around. Perhaps some sort of raffle.
Please let me know if you would like to help out in any way.
Tuesday, March 22nd 9 pm Japan Disaster Relief Fundraising Taiko Performance Zebulon 258 Wythe Ave Brooklyn, NY 11211
Thanks so much,
Kaoru
March 17th Kojima Chieko workshop at KWTCMarch 18th w/ Alicia Hall Moran's Motown Project featuring Jason Moran and Thomas Flippin March 22 Zebulon Kaoru Watanabe Ensemble March 24th KWTC session with Yosuke
please visit www.taikonyc.com
TAIKO 2.0
On Ensemble with guest artists: Russel Baba, Jeanne Mercer, Kaoru Watanabe, Patrick Graham and Chieko Kojima
Saturday March 12th, 8:00pm
Cerritos Center for the Performing Arts
12700 Center Court Drive
Cerritos, CA 90703
Tickets $61/$49/$37
Box Office: (800) 300-4345
Please check out my new website for KWTC (taiko school) at taikonyc.com
March 4th,5th w/Chieko Kojima(KODO)/Maze Daiko@Rhythmix-Alameda, CAMarch 6th Organic Orchestra@Electric Lodge (LA) March 12th On Ensemble@Cerritos Center (LA)
details below:
March 4th and 5th with Maze Daiko Principal dancer of the internationally renowned Japanese drumming ensemble Kodo, Chieko Kojima, and premier fue (bamboo flute) player and solo artist, Kaoru Watanabe (formerly Kodo performer and artistic director) have worked together extensively on Kodo’s stage to develop a visual and musical style of that transverse time and cultural boundaries. Chieko is known for her innovative interpretations of Japanese folk dance. Kaoru is a rare musician trained in both traditional and contemporary forms of eastern and western music. Together they reinvent tradition in our modern world with clarity and relevance. Rhythmix Cultural Works 2513 Blanding Avenue Alameda, CA 94501 t: 510.865.5060 e: info_at_rhythmix_dot_org http://www.rhythmix.org/content/11events/110305.html
March 6th Organic Orchestra https://www.brownpapertickets.com/event/141528 Adam Rudolph leads his musicians in a structured improvisation. The score and conducting serve to generate as much aesthetic and functional focus as possible in the music while at the same time providing context and inspiration for the greatest expressive freedom possible of the performers. http://www.myspace.com/goorganicorchestra
March 12th On Ensemble with Russel Baba, Jeanne Mercer, Kaoru Watanabe and Patrick Graham at the Cerritos Center for the Performing Arts is coming Saturday March 12th at 8pm! Russel, Jeanne, Kaoru and Patrick are four of our favorite artists to work with. We’ve been working on new material and it’s going to be one of best concerts to date! Tickets are on sale now and are available through the Cerritos Center box office.
Cerritos Center for the Performing Arts 12700 Center Court Drive Cerritos, CA 90703 Tickets $61/$49/$37 Box Office: (800) 300-4345 http://onensemble.org/
February 1st, 9pm with Chris Dingman, Tim Keiper, Matt KilmerFebruary 8th 7:30 Mana Hashimoto's "Yumema/The Dream Between" February 13th 7:30 Joe Beaty's Morning Musuko@Tenri February 15th Alicia Hall Moran's "Motown Project"@Regatta Bar in Boston February 16th with Ishigure Masayo, Yale University February 26th adam Rudolph's Go:Organic Orchestra, Columbia University
details below:
February 1st (tues) 9 pm An encore performance of a new group consisting of Chris Dingman, Tim Keiper and Matt Kilmer at Zebulon in Williamsburg, Brooklyn.
Zebulon 258 Wythe Avenue NY 11211-3914 (718) 218-6934 FREE
February 8th (tues), 7:30pm "Yumema/The Dream Between" choreographed and performed by Mana Hashimoto
Music by Kaoru Watanabe and Gregory Reynolds Film collaboration with Yuko Takebe Visual collaboration and stage Lighting by Fred Hatt
This piece was inspired by a Japanese story about a prince who has been dead a long time. His spirit wanders the earth and falls in love with a princess . Although the piece is based on The book of the dead by Shinobu Origuchi, the story is just a motif of the Yumema/Dream Between. When I dream, there are people I only see in my dreams. I often experience confusion between my dreams and reality. Between dream and reality, between life and death, between man and woman, between inside and outside, our reality exists in the delicate boundary of two opposite sides. I wanted to create a twilight evening of one woman's experiences through those boundaries. The style of dance is related to Butoh, a Japanese contemporary dance form. This piece runs 30 minutes.
Dixon place 161A Chrystie Street (Btwn Rivington & Delancey) New York, NY 10002 Ticket, $15, students_seniors $12 Ticket reservation and contact, 212-219-0736 Link to buy tickets: https://www.ovationtix.com/trs/pr/799805 Web, www.manahashimoto.com
February 13th Morning Musume "The Only and Only Original J-Pop Big Band" $10 Tenri Cultural Institute 43A W13th street New York, NY 10011
I've been making almost weekly commutes between Waterville, ME and New York- a seven hour drive. Why not fly? Two reasons: 1) I need a car in both Waterville and New York and 2) I am using my large Ojime Daiko in both places. The drives are for the most part not unpleasant. The radio, my ipod and the 7 hour long audiobook of Malcolm Gladwells Outliers have been wonderful driving companions. In Waterville, I am teaching a semester's worth of taiko and fue within a month at Colby College's "Jan Plan" program. I have taught a group of 16 students all sorts of performance tehniques but also have devoted a lot of time with readings and viewings of Gagaku, Noh, Kabuki, various Matsuri, contemporary taiko groups Osuwa Daiko, Oedosukeroku, Ondekoza, Kodo, as well as North American taiko groups. Their final exam is coming up on the 26th of January at 7 pm at the Colby College Rose Chapel. Please come if you happen to be in the neighborhood!
Also starting Jan 21st I am teaching taiko at Wesleyan University. 67 students auditioned for the intro taiko class and we had to whittle it down to only 20. I very sincerely stated that I would've liked to accept everyone, but of course that would've been unmanageable for a two hour class with a limited number of drums. I'm very impressed with the advanced students' dedication and look forward to offering what I can to their understanding of the music and culture of taiko. I'm NOT however, to be perfectly honest, looking forward to the 2 and 1/2 drive each way back and forth to Middletown, CT each week. Any suggestions for good audio books?
Hello from Colby College in Waterville, ME. It's cold up here. I just finished three days of teaching taiko to first time students here as well as giving them an introduction to Gagaku, Noh, Kabuki and various Matsuri traditions in Japan. I've also been spending a good deal of time practicing and being creative with the music. Meanwhile, this is a clip from Alicia Hall Moran's Motown Project at Le Poisson Rouge featuring Adan Vasquez on harp and myself on taiko. The piece is an aria by Henry Purcell called "Ah! Belinda!" as undercurrent to Marvin Gaye's "What's Going On?". The performance was in October of 2010.
What's Going On from Danielle Harleman on Vimeo.
2010 was a pretty amazing year for me in many ways. Many wonderful performances and tours with Kenny Endo, On Ensemble, Adam Rudolph, Tamango, Semba Kiyohiko, Kodo, Alicia Hall Moran, Chris Dingman, Yumi Kurosawa and many more in Honduras, Panama, Trinidad, Costa Rica, France and all across Japan and the US (including twice in Hawaii!). I taught a course at Princeton University as well workshops and private lessons across the globe as well as my Taiko Center in Brooklyn. Last but certainly not least, I married the singular Mari Nakano, a wonderful person who has brought clarity and even more joy to my joyous life! I hope 2010 has been a blessed and important year for all of you as well.
With all my love,
Kaoru
I'll be doing an opening performance for Billy Fox's Amanogawa at the New York Center for Art and Media Studies.
44 W. 28th St. 7th floor $10
I'll be playing with Tim Keiper (ngoni), Chris Dingman (vibraphone) and Matt Kilmer (percussion) at Zebulon Monday night at 9 pm-ish. I love the music we play- beautiful melodies, a very organic blend of "World" sounds- Mali, Japan, the US and beyond.
Check out at a great and pretty funny report on a recent performance I did... http://ozersky.tv/2010/11/the-gohan-societys-2010-benefit-dinner/
Last NYC appearance in 2010 34 musicians In concert GO:ORGANIC ORCHESTRA An Orchestral concept of world / improvisational music
“OSTINATOS OF CIRCULARITY”
MUSIC COMPOSED AND CONDUCTED BY ADAM RUDOLPH
Monday November 29, 2010 @ Roulette 20 Greene St. (between Canal and Grand) 2 blocks west of Broadway
8:30 PM $15 at the Door DTW members students, seniors: $10 Reservations: 212.219.8242 Roulette & Location One, members free www.roulette.org www.location1.org
Performing artists: Sylvain Leroux –Tambin Fulani Flute, C Flute Michel Gentile – C and Alto Flute, Bamboo Flute Kaoru Watanabe – Noh Kan, Fue, C Flute Ze Luis - C and Alto Flute, Bamboo Flute Peter Apfelbaum - C Flute, Bamboo Flutes, Melodica
Sara Schoenbeck – Bassoon Ivan Barenboim - B flat Clarinet Ned Rothenberg - Bass Clarinet
Graham Haynes – Cornet, Flugelhorn, Bamboo Horn Stephen Haynes – Trumpet, Bamboo Horn, Didjiridoo Peck Almond – Trumpet, Kalimbas, Bamboo Horn Peter Zummo – Trombone, Didjiridoo
Sarah Bernstein – Violin Trina Basu – Violin Mark Chung– Violin Jason Kao Hwang – Violin Charles Burnham – Violin Elektra Kurtis – Violin Curtis Stewart – Violin Midori Yamamoto – Violin Skye Steele – Violin Rosemarie Hertlein – Violin Stephanie Griffin – Viola Daniel Levin – Cello Marika Hughes - Cello Janie Cowan - Contrabass
Kenny Wessel – Electric Guitar, Banjo Marco Cappelli – Acoustic Guitar
Matt Kilmer – Frame Drums, Percussion James Hurt – Sogo, Kidi, Percussion Keita Ogawa – Percussion Tripp Dudley – Percussion
Stuart Popejoy - Acoustic Bass Guitar Alex Marcelo – Acoustic Piano
Web page: http://www.metarecords.com/go.html
Go: Organic Orchestra @ my space: http://www.myspace.com/goorganicorchestra
Videos: http://www.youtube.com/adamtabl
CONCERT REVIEWS:
" I caught a performance Go: Organic Orchestra down in SoHo last spring and was swept away by what they were doing. It was fascinating and ahead of its time, in the best possible way. I loved every minute of it. " - Marc Meyers, jazzwax.com
" I was fortunate to have attended two nights with Adam Rudolph's Go: Organic Orchestra at Roulette a few months back and was blown away by Adam's distinctive blend of jazz and world music as well as his conducting." - Bruce Lee Gallanter - Downtown Music Gallery
"The music, performed by a large ensemble of wind and percussion players, rose like vines from hand drummer Adam Rudolph's written instructions and hand signals. And it truly is organic -- a blend of gentle sustained dissonance, heaven-crashing rhythm jams, and individual improvisations. No joke: a startling and involving development in roots music, with more to follow." - Greg Burk, LA Weekly
“This mixture of planning and spontaneity is brought to life with such a high level of musicality that the “organic” part of the group’s name is always honored.” - Steve Holtje, The Big Takeover
“Extraordinary.... the audience was absolutely absorbed.” - Howard Mandel, Jazz beyond Jazz
FUE comprehensive intensive workshop- see detailed schedule below- open to all levels! Please e-mail me by the morning of November 11 - limited space left
Schedule: Dec 4th (sat) MORNING session: opening session, an introduction to fue types, styles, demonstration, listening and video session. AFTERNOON session: fingering, breathing exercises, warm up routines repertoire - Sakura, Takeda No Komoriuta, Kaigara Bushi, etc- deal with ornamentation, phrasing, vibrato, etc EVENING SESSION: composition - discussion of Japanese scales, taiko with fue combination, etc
Dec 5th (sun) MORNING session: improvisation, extended techniques, review AFTERNOON session: fue with taiko practices- dealing with rhythm, ensemble and BEING HEARD
fee: $250 full session, $200 for the saturday session only / $100 for the Sunday session only (includes meals)
free accommodation available on a limited basis (first come, first serve).
A MESSAGE from a student
Since becoming a student of Kaoru, my fue playing has improved in every way. From basic breathing exercises and fingering techniques to learning songs and improvising, Kaoru has a way of explaining fue playing that is clear and understandable, and also a lot of fun. With his background in music and extensive wealth of knowledge of both fue and taiko, a one hour lesson is never long enough. I've been waiting for a fue intensive weekend! I'm looking forward to many hours of learning and making music.