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Weblog of Kaoru Watanabe, NY based Flute/Fue player

revue: America Airlines, Continental Airlines, Holiday Inn

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American Airlines provided a hotel because they couldn't get us through to Trinidad on time, along food vouchers for dinner and breakfast. After waiting for the shuttle curbside for about forty five minutes, we finally arrive at the Holiday Inn Airport. An overly friendly Cuban man (who referred to us as a Chinese tour group in Spanish) attempted to help us carry our luggage and instruments to our room. The fact he didn't speak English very well was beside the point- he had a severe problem with retaining information. After I explained that I was taking our instruments to our rooms, he went over to get check-in tags and begin to tag the bags. He asked what rooms we were staying in. I explained again that we were taking our luggage to our rooms, not checking them in. He took off the tags. He asked us which rooms we were in. We went to the elevator and got in. He asked us which rooms we were in. Since I was on four and others were on five, I pushed four so I could get out first with my luggage. We get to four, I ask him to take the red suitcase off the cart while I'm taking the taiko. He asked us which rooms we were in. He starts taking the others' bags to my room. In his fumbling and our struggling to stop him from taking the wrong bags to my room, the elevator door closes (despite Yumi holding the button) with Yumi's koto still in it. He takes charge by going to the elevator door and inconceivably begins knocking on it. I start moving my own stuff and he asks us which rooms we were in. I tell him that only the taiko and red suitcase have to go to my room. Since he is still fumbling around, we take my belongings practically by force and I escape his vortex of confusion and ineptitude, with my own bags in tow. Later we meet at the only restaurant in the hotel, to find that there is Salsa music blaring from the dance floor. The price of room service makes that out of the question so despite being exhausted and wanting quiet we sit down in the restaurant, unable to hold a conversation without shouting and are treated to bad service and an air conditioner blasting cold air directly on us. The food is soggy and salty. The cheapest thing on the menu is 14.95 so we have to use both our dinner and breakfast coupons to pay for it and are told that additionally each of us has to pay an additional 4.75 for tax and 18% gratuity. There was beer in a store in the lobby being sold for $4.50 a bottle.

Appropriately, the next morning the shuttle driver wouldn't listen to my suggestions as to how to store the taiko and koto and basically had to unload and re-pack the shuttle according to my instructions. We check-in again at the AA counter and the woman courteously complied with my request for an emergency exit row seat so that I can stretch my legs out. Of course when we board the full flight, I find myself in a regular seat next to a man wearing a thick jacket with his arm extended well into my space. I'm writing this with the computer literally pressed again my belly and my arms folded in so that I'm typing like a praying mantis.

American Airlines and Holiday Inn Airport need to understand a few things. They need to learn that the best way to provide customer satisfaction, is to give a little something more then what is expected- not a whole lot less. I can survive regular cramped economy class, but NOT getting extra leg room when promised can be very aggravating. Not getting to a destination on time is something that happens to all of us, but when promised complimentary dinner, don't provide $10 for a dinner when the cheapest thing offered in the only restaurant we can use them in is $19. Don't offer help or services that you can't provide. So far on this trip, EVERY SINGLE PERSON that I've encountered working for American Airlines, Continental Airlines and Holiday Inn, whether friendly and (overly) "personal" or having that unpleasant, apathetic attitude ubiquitous to the American service industry, has been glaringly incompetent, inept and unprofessional. The people working in hotels, airports and theaters in Costa Rica and Honduras in contrast have been for the most part ernest, hard working and professional.

In general I don't consider myself a complainer and overly high-maintenance, but just writing this down has been very therapeutic. Sorry and thanks!

Japan Trip Report!

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1st week TokyoSpent time with aunts, uncles and cousins, visiting my grandparents graves in Tokyo and Kamakura. One day, I had dinner on the beach, drinking wine and watching the windsurfers enjoying the effects of a distant typhoon. During the weekend, I performed with the great percussionist and hougaku master Semba Kiyohiko in Koenji, along with saxophonist Sakata Akira, Fuwa Daisuke from Shibusa Shirazu and others- some of the top improvisors in Tokyo. Semba san called the show "An Evening with Semba: Featuring a Flute Playing Friend From New York" (Semba hitoyo furu-to no furendo furomu nyu-yo-ku sesshon). The show was groundbreaking in that, Akira san lost a screw on his saxophone and one of the rods and pads simply fell off the horn. We spent about half an hour with the whole band and the front row of the audience on their hands and knees looking for it. The trumpet player, Matsuhide Takumi sent his girlfriend home on a bicycle to get a sax that he happened to have laying around. Akira san played that alto for a couple of songs then we took an intermission, during which time we discovered that the screw was still in place and had just loosened. His apology to the audience was hilarious. The music was equally as scattered, playful and lots of fun. I rounded out the weekend giving a couple of workshops in Japan, with the taiko group Bonten and at the Miyamoto Studios, as well as picked up some musical supplies from the Miyamoto store. It's always interesting to teach fue and taiko in Japan for me considering I'm teaching the culture of a place to people who are actually from there.

2nd week: Tokyo, Chiba and Sado I also visited the great fue maker, Ranjo at his new workshop. Ranjo is a very generous soul and has been a great supporter of my career. Recently he's not only been teaching fue to about twenty local children, he's been providing them fue as well- all for free. He handcrafts over two hundred fue a month, each made to perfection, each month's batch better than the last. He presented Mari a beautifully lacquered fue in celebration of our marriage and I asked him to write something on the fue in remembrance of that day. After much deliberation, we decided upon "mari sanjuhachi do" or "Mari 106 degrees", in reference to the scorching temperature of the day (while it was indeed hot that day, his thermometer seemed to be a exaggerating the facts a little - perhaps due to the heat!)

Midweek, Mari and traveled to Niigata where she has some relatives for a pleasant lunch of somen and tempura. We traveled that night to Sado, my home of close to nine years while I was with Kodo. We stayed at my good friend Melanie Taylor's house. Among the many things that happened this weekend: Tamango missed his flight from NY and we had to scramble to get him to Sado in time for our performance and workshop; I reconnected with my friends and family in Kodo and in Sado in general; ate about seven bowls of kakigori (shaved ice), favorite flavor being YUZU; saw three Kodo performances and the Corsican group La Filletta with them; danced and played fue with Ogi Okesa (bon odori); performed with, among others, Kojima Chieko, Fujimoto Yoshikazu, Saito Eichi, Tsuji Masaru, Shanir Blumenkranz, Marcus, Imaizumi Taka; did a guerilla type performance with the young star players of Kodo at 8 am to fans waiting since before the break of dawn for good tickets, all of us wearing black suits and sunglasses; had a evening picnic celebrating Mari and my one year wedding anniversary with many friends from Sado and Kodo; etc. During our Resonance improvisation workshop (singer Matsuda Mio, Tamango and I) we had participants running, stomping, jumping, singing/screaming at each other, barking like dogs and otherwise making fools of themselves. It was chaotic and wonderful.

3rd week: Sado, and Tokyo After Earth Celebration, played again with Kodo to say goodbye to the guests and the audience; took a tour of Sado with the great Johnny and Chieko Wales, hitting beautiful temples, stores, restaurants, the Wales' amazing house; the Kodo after party bar-b-que; a picnic celebrating Mari and my one year anniversary with friends from Sado, Kodo, NY, New Zealand, Canada, etc in attendance; travel back to Tokyo for a workshop with Tsumura sensei from Miyake; performance with great cellist Sakamoto Hiromichi, Samm Bennett and Tamango with ANDANI doing visuals (improvised madness); performance at SuperDeluxe with RESONANCE 2010- a packed house with great energy- one of the most memorable performances in my short musical career!

4th week: Hiroshima, Miyajima, Matsuyama and Kyoto After a final fue workshop in Tokyo, Mari and went to Hiroshima to visit her relatives down there. Ate some great Hiroshima beef, Okonomiyaki, Miyajima oysters, unagi, great sake from Mari's cousin; short trip to Miyajima for walking around the temple and shopping in the HOT sun- encountered a beautiful 96 year old man in a store who took the time to individually wrap each item with care while taking an incredible amount of time; traveled to the onsen town of Matsuyama where we went into the onsen three times in one day and had a delicious dinner (the onsen from Spirited Away was inspired by the Matsuyama Onsen); climbed and conquered Matsuyama Castle until the heat conquered us; then spent the rest of the time in Hiroshima. We traveled to Kyoto, stayed in a beautiful tea shop called Sankyuen; with an owner of an ochaya, went to a bar run by an elderly gentleman who was Kabuki and Kyogen expert; taught two fue workshops; had two shows at Urban Guild- both full houses with different casts and great energy both nights. The audience responded to the shows with great enthusiasm.

The next monday, we traveled from Kyoto to Narita and to New York the next day. We visited with friends Otsuka Chie and Toni Yamagami in Narita and the next day with Yamano san at the airport before taking off. I recently acquired an Ohira Okedo Daiko from Miyamoto and it was waiting at the airport. Between getting charged for overcharge and oversize fees for checking it in, having to open the box because it wouldn't fit through the x-ray machine, having to go to a different counter to pay the fees, then being told I would have to pay an extra $200 fee because the box was a mere 2 kilograms too heavy, my declaring I could lighten the load by opening it, then being told they would waive the extra fee- we barely had any time to chat with Yamano san. It was an appropriate end of the monthlong journey for us: hectic and harrowing, accompanied by loving friends and ending up perfectly.

RESONANCE 2010 Tokyo, Sado and Kyoto

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In 2007, while still serving as the artistic director for the world renowned Japanese performing arts group KODO, fue/flute player Kaoru Watanabe called together a group of friends to form Resonance, a one-night multimedia celebration of sight and sound that astounded the audience.

8/21 Sado, Earth Celebration Special Fringe Event http://www.kodo.or.jp/ec/event/fringe_en.html 8/28 Tokyo, SuperDeluxe  http://www.super-deluxe.com/2010/8/28/resonance-2010/ 9/3 and 9/4 Kyoto, Urban Guild http://www.urbanguild.net/

More detailed information at HERE (D.H.Rosen's HP)

Japan Performances!

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PERFORMANCES August 14th (sat), 19:30 start "Semba Hitoyo"@Jirokichi (Koenji) with Semba Kiyohiko, Sakata Akira, Takahashi Kaori, Matsuhide Takumi, Yoshimori Makoto, Fuwa Daisuke 3,200 yen http://www.jirokichi.net/

August 21st (sat) 15:20 "RESONANCE 2010" @Earth Celebration (Sado) with Johnny Wales, Imaizumi Takafumi, Marcus Soto, Shanir Blumenkranz, Tamango, Daniel Rosen, Matsuda Mio FREE http://www.kodo.or.jp/ec/event/fringe_ja.html

August 22nd (sun) 22:15 Ogi Port Park "Yukiahi EWF"@Earth Celebration Special Fringe FREE http://www.kodo.or.jp/ec/event/fringe_ja.html

August 27th (fri) 19:30 start "Boom Tap Whisper"@Kickback Cafe (Fuchu) with Sakamoto Hiromichi, Samm Bennet, Tamango, Daniel Rosen, Matsuda Mio "Boom Tap Whisper" 3,000 for advanced, 3,500 at the door www.kickbackcafe.com

August 28th (sat) 20:00 start "RESONANCE 2010"@SuperDeluxe (Roppongi) with Semba san, Kaneko Ryutaro, Kakinuma Koji, Sawada Jyoji, Tamango, Daniel Rosen, Matsuda Mio etc 4,000 advanced, 4,500 at the door (plus drink) http://www.super-deluxe.com/2010/8/28/resonance-2010/

September 4th (sat) 20:00 start "RESONANCE 2010"@Urban Guild in (Kyoto) with with Kojima Chieko, Kirara, Echo, Takahito Nishino, Seino Takafumi, Ryo Takeuchi, Tamango, Daniel Rosen, Matsuda Mio 3,000 yen advanced, 3,500 at the door http://www.urbanguild.net/

September 5th (sun) 20:00 start "RESONANCE 2010"@Urban Guild in (Kyoto) with Mitsu Salmon, Ryotaro, Takahito Nishino, Tamango, Daniel Rosen, Matsuda Mio 3,000 yen advanced, 3,500 at the door http://www.urbanguild.net/

Monday Aug 2nd - Creative Music Incubator

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Creative Music IncubatorMon, 08/02/2010 - 7:30pm $8 Creative Music Incubator unites experimental sonic artists on the first Monday of every month to share creative concepts, explore new sonic possibilities and collaborate in new line ups and in unique situations. Each month is curated and hosted by a member of the NYC experimental music community. Next Show - Aug 2nd: Curator and Host: Amber Brien Line up: Amanda Ray John Fell Ryan Kaoru Watanabe Barbara Merjan Conrad Sparnroft Mitch Blank Doug Principato Mike Durek David B. Penn Jennifer Leigh Aschoff David Tamura Thomas Bell This month there will be multiple mini groups created from the pool of musicians participating. Each mini-group will perform 5 to10 minute mini-sets. The first half of the night will consist of groups whose members have performed together at some point in the past. The second half will consist of groups whose members have never performed together, ensuring new collaborations and sonic discoveries. This month's Creative Music Incubator is curated and hosted by Amber Brien

August 3rd Samble@Joe's Pub- Benefit for Haiti

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Sanble(Haitian Creole word meaning - to gather) An evening of Afro-Caribbean rhythms and dance with a distinctly global flavor.

Featuring: Sheila Anozier (Haiti) -- dance & vocals Belinda Becker (Jamaica) -- dance & vocals Swiss Chris (Switzerland) -- drums/cymbals & samples Kaoru Watanabe (Japan) -- western flute & taiko drums Jr. "Gabu" Wedderburn (Jamaica) -- nyabinghi akete & kumina drums

Special Guest: Rufus Cappadocia -- cello Pat Hall -- vocals Marquerite Hamden -- vocals Pam Patrick -- vocals Dub Select Horns of Mobius Collective

Please join us at: Joe's Pub 425 Lafayette Street www.joespub.com

Tuesday, August 3rd 9:30 p.m. $20

All proceeds from the performance go to Christ Love Center in Jacmel, Haiti.

About the center: Christ Love Center was founded in Jacmel, Haiti by Bonite Affriany, a 72 year old retired nurse, in 2002. The center provides meals for over 200 children through Bonite's 6 day a week feeding program. Often that meal is their only meal of the day. The center also provides clothing, medical attention, and emergency needs, and since the earthquake, tents have been posted onsite. But Bonite's work extends beyond the center and the feeding program. She funds some of the children's education, and provides them with tutoring at the center after school. Apart from the center, Bonite has also set up small micro loans to help develop self-sustaining communities, and is currently working on plans to build homes for 18 families.

Myrlande Affriany, Bonite's daughter, founded a medical organization called Angel Wings International (angelwingsinternational.org) in 2007, which not only provides an onsite medical clinic at the center, but brings medical teams every month to Jacmel and surrounding villages. The two are currently working on building a much needed hospital in Jacmel.

July 29th Worldwide Plaza- RAINDATE: July 30th

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My apologies to those who came out but due to rain todays performance has been moved to tomorrow- same time, same place. Hope to see you there!

12 Noon Worldwide Plaza 825 Eighth Avenue FREE

I will be performing with my ensemble featuring Deep Singh (tabla), Yumi Kurosawa (20 string koto) and Barbara Merjan (taiko, percussion). Traditional, contemporary and original music.

August 14th "An Evening w/Semba: Flute Friend from NY Session!"

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For all my friends in Tokyo, I'll be in Koenji on August 14th with the master percussionist Kiyohiko Semba and many of Japan's greatest improvisors- Sakata Akira, Mitsuhide Takumi, Takahashi Kaori, etc! 仙夜一夜 フルートのフレンド、フロームNYセッション! (♪3200) 渡辺薫fl.竹笛.太鼓 仙波清彦perc 坂田明sax 高橋香織vln 辰巳光英tp 吉森信pf 不破大輔b

東京都杉並区高円寺北2-3-4高円寺ビルB1 Tel&Fax 03-3339-2727

August 7th Solo performance in Philadelphia

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Summer Concert with Dinner at Shofuso 6:00 PM - 8:00 PM Location Shofuso, Japanese House and Garden 5070 Parkside Avenue, Suite 2104, Philadelphia, PA 19131 Member - $60.00 Non-Member - $80.00 Phone: (215) 878-5097 Email: info@shofuso.com http://www.shofuso.com/?page_id=15 http://www.shofuso.com/

July 25th Festival of Colors- Final Fete!

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The culmination of the Festival of Colors this Sunday! Mini workshops on fabric-dyeing, tap dance, figure drawing, African dance, plus mini performances of all of the above plus some great taiko playing all day for FREE. Vendors will be selling food, arts and crafts while there will be plenty of activities for kids.  Enjoy the beautiful indoor/outdoor space at Gureje!

1 to 5 pm on Sunday

July 16th OnnaTaiko(2)

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TONIGHT, as part of Festival of Colors, we will have the Onna Taiko Concert, featuring my students and myself as well as a master of the ICHIGENKIN (one string koto) Issui Minegishi.  Please come and visit a newly beautified Gureje and hear some great music in this setting.

Festival of Colors 2010

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festivalofcolorsnyc.blogspot.com

The 2010 Festival of Colors is a month-long celebration of that which nourishes and sustains our creative bodies and spirits. Through various workshops, performances and communal events, the festival serves to inspire and reveal the vibrant nature of our neighborhood.

Included among this year's events are workshops in dance, fabric dyeing/textile design and Japanese taiko drumming. By collaborating with various local businesses, vendors and community members, we will also provide exciting events throughout the month: a farmers market, movie night, musical performances and neighborhood beautification project and more!

The Festival of Colors still has room to accommodate any new artists or vendors who may be interested in participating in July. We are looking to support emerging artists as well as looking for organizations or individuals who may be interested in selling items during our Final Fête, which will be taking place on July 25, 2010. Because we are also supportive of community endeavors, we are also open to organizations in the surrounding community that may be interested in tabling at the event. Also, if you are an educator or artist who may be interested in facilitating an activity (i.e. arts and crafts for kids, poetry workshops, open-mic), please know that we are open to your ideas. We want to fill July with many events that our communities can tap into.

Sat 19th Nakanaka: On Ensemble&Yuka

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My good friends from On Ensemble- well, at least two of them anyway, will be in NY in a few weeks.  My good friend from Sado Japan, singer Yuka Yamamoto will be on hand as well to serenade us with her lovely voice and beautiful tunes.  With contributions from the great Barbara Merjan and Shanir Blumenkranz as well. Please join us!

June 3-4 Tamango's Caravane at Le Volcan in Normandy France

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MEZZO TV & LA BELLEVILLOISE PRESENTENT MERCREDI 9 JUIN dès 21H

MEZZO TV Jazz Mix Step feat. Urban Tap (NYC) & friends Venez participer à un film mêlant danse, live Jazz, performance, VJ’s & Dj’s en compagnie du collectif de NYC, « Urban Tap » dirigé par son charismatique leader Tamango.

Plus de 15 artistes internationaux :

Tamango (France / Usa) – MC, Tap dance ; « Naj » Jean de Boysson (France) – VJ ; David Murray (Usa) – Saxophone ; Walid Bouhmani (France) - Dance Poppin' ; Kaoru Watanabe (Japan / Usa)  - Flute japonaise, Taiko ; Antoinette Gomis (France) – Dance freestyle ; Mossim Hussain Kawa (Inde) – Tablas ; Didier Firmin ( France) - House dance ; Kenny Muhammad (Usa) – Beat Box ; Yä-Hui (Chine) – Danse Barata natyam ;Daniel Moreno (Usa) – Percussions ; Roxanne Butterfly (France / Usa) – Tap Dance ; Nuru Kane (Senegal) – Guembri ;  Cheick Tidiane Seck (Mali / France) – Keys ; DJ Nickodemus (Usa) – DJ

… mis en scène sur deux espaces pour des rencontres improbables ! Improvisation, rythme, technique, création seront au rendez vous de ce projet inédit !

LA BELLEVILLOISE – 21 rue Boyer – 75020 PARIS M° Gambetta www.labellevilloise.com

Entrée sur invitation à demander à l'adresse mezzotv@labellevilloise.com A retirer directement à La Bellevilloise

URBAN TAP :

Nakanaka: BOMB SUN Sat, May 20th

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Nakanaka presents: an evening of experimental music feat: WATER BRAIN Fumio Tashiro, a.k.a. “Bomb Sun” plays electric upright bass and creates original musical compositions. He has 15 years experience writing, touring, and performing music. As a student of the upright bass, Bomb Sun studied under his mentor Milt Hinton, and so, has a solid background in jazz and experimental improvisation. His newest compositions blend this background with a digital approach producing a unique and broad spectrum of sound. He is originally from Japan and currently resides in Brooklyn. Michael Wilson is an emergent experimental improviser. He uses a sampler and a combination of small acoustic instruments and vocal patterns to create unique fields of sound. He is originally from Los Angeles and currently resides in Brooklyn.

ALSO, my good friend Ty Citerman, of Gutbucket fame will be joining us as well!

DROM 85 Ave A 212-777-1157

Brainstorm! May 6th

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Brainstorm! 2010 SeriesEarned Income for Artists: Teaching May 6, 2010, 6:30pm

Join us on May 6th, 2010, 6:30pm for "Teaching", the Asian American Arts Alliance's second event in its Brainstorm! series of lively discussions about strategies for artists to earn revenue. Co-produced with Queens Council on the Arts and New York Foundation for the Arts.

"Teaching", features the case study of Kaoru Watanabe, musician and founder of the Kaoru Watanabe Taiko Center. Come hear Kaoru talk about how he integrates teaching into his career to support himself, as he receives feedback from discussants Kamala Cesar, founder of Lotus Music and Dance, Alice Mizrachi, artist, educator and co-founder of the Younity Arts Collective, and Michelle Rae Pinzon, executive director of the Capoeira Center of New York.

Learn from peers, lend your voice, and be inspired! Details: What: Brainstorm! Teaching When: May 6, 2010, 6:30pm Where: Frank Sinatra School of the Arts High School, 35-12 35th Avenue, Long Island City, Queens, 11106 (N, W train to 36th ave, R, V train to 36th St) Fee: Free!

Friday April 30, NAKANAKA: OnnaTaiko!

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Onna Taiko! A Celebration of Women Taiko Players

featuring Carrie Carter, Barbara Merjan, Yumiko, members of Taiko Aikokai and many more!

Drom 85 Ave A (btwn 5th&6th) New York 212-777-1157